I am obviously behind on this blog. And now I’m more behind: I brought back a pile of books from my trip to Seoul back in November of last year (1, 2, 3). So there’ll be new content here soon.
In particular, I plan to write about Listen to the City’sProtest as I think it presents a number of useful things to think about in the current political climate. A number of the things I wanted to write about have already come to pass–major protests here in the US and considerations of how to maintain political action in order to effectively affect change rather than simply channel anger or disappointment.
And there are some fluffier books that are more fun to talk about.
And a new conversation about considerations when building a library for an academic institution. It’s been conducted, I’ve just got to find time to transcribe it…
This piece at the NYTimes is a fascinating look at the practical intelligence value of closely read photographs. Max Fisher and Jugal K. Patel take us step by step through what experts have deduced about North Korea’s nuclear program by closely examining one photograph. They outline the way in which information is subtly coded into photographs like this one so that they can be read in this way.
To bring it somewhat on topic for the blog, the article calls to mind Seung Woo Back’s Utopia / Blow Up. As I wrote originally, “Back is looking to find truths that are hidden in plain sight and to question what is presented in an image.” To be clear, Back is circumventing limitations presented by clear prescriptions for what North Korea does and doesn’t want communicated. These limitations are imposed, obviously, by North Korea. Back is forced to lay the information between the lines. As readers of his photographs we must deduce the bigger meaning from what scraps of information he presents to us. He is as interested in photograph’s potential to communicate information as he is in actually communicating that information.
North Korea’s propaganda machine is interested only in its geopolitical machinations. It is not worried about the degree to which photography is truthful or untruthful. Its goal is to communicate information while maintaining deniability. The information it communicates is hidden such that only specific people will be able to find it. It is a kind of back door channel of communication. That it is possible to gather this much information from one photograph, albeit in relation to a larger set of photographs taken over time and in relation to existing knowledge, is quite impressive.
Another aspect of this that is worth noting is the continued acceptance by both the North Korea government and Western intelligence organizations of the informational value of photographs. Photographs retain a relation to facts in the real world. They continue to depict things in the real world that are true and that have meaning. While there is clearly much interpretation of the meaning of these facts, the photographs are valuable as information.
On a lighter note, the Times article also makes me wonder if perhaps not all is what it seems at Kim Jong Un Looking At Things. I’ve always read the Tumblr as a kind of absurdist theater–though who has that many photographs of Kim Jong-Un (and Kim Jong-Il before) except the North Korean government? (By all means, if you know who does, please let me know in the comments. I’ve always wondered.) I get a creeping suspicion that the irony hides an attempt to humanize the Dear Leader with youth in the West or at least minimize the perception that he is a scary, crazy dictator.
Han’s photography has been discussed on this blog in relation to his photographs in Traces of Life. Kyusang Lee describedTraces of Life as essential to understanding the development of photography in Korea. By extension, Han’s work is foundational in Korean photography.
Great to see it getting attention here in the States.